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The Pro Audio Suite

A must listen Podcast if you're in audio or voice over. Our panel features industry professionals, George 'The Tech' Whittam, Robert 'Source Connect' Marshall, Andrew 'Realtime Casting' Peters and Darren 'Voodoo Sound' Robertson, plus special guests.

Each week we dive into topics that will resonate with Professionals and home studio owner alike...

Jun 24, 2025

This week on The Pro Audio Suite, we're diving deep into a topic that sparks endless debate (and confusion) in VO forums everywhere: the noise floor. What does "-74 dB" even mean if you don't know how it was measured? And why are voice actors obsessing over numbers that might not matter?

Join AP, Robbo, George The...


Jun 16, 2025

This week, it's all about the front end — microphones for voiceover. George recently ran a live webinar comparing a wide range of mics from the Audio-Technica AT875R to the mighty Austrian Audio OC818, and we’re diving deep into the results.

From self-noise to low-end roll-off, polar patterns to punchy midrange, we...


Jun 12, 2025

This week on The Pro Audio Suite, we dig into the lab-tested results of our very own PASport VO, the portable audio interface designed for voice talent and podcasters. George took it to a respected LA repair shop for an independent bench test, and the results? Minus 89 dB of self-noise. Translation: it's dead quiet.

The...


The Tiny Audio Interface That Shocked the Pros | The Pro Audio Suite

Jun 12, 2025

This week on The Pro Audio Suite, we dig into the lab-tested results of our very own PASport VO, the portable audio interface designed for voice talent and podcasters. George took it to a respected LA repair shop for an independent bench test, and the results? Minus 89 dB of self-noise. Translation: it's dead quiet.

The...


Jun 9, 2025

This week, it’s just AP and Robbo flying the plane—and they’re kicking around an idea that’s been brewing for a while:
👉 Should we launch a voiceover conference right here in Australia?

We know there are VO events in the US and UK, but barely anything for Aussie or Kiwi talent. So… what would it look like...