Aug 10, 2021
So you've got a script that involves a bit of close mic work and some really brash and loud dialogue. How should you tame those nasty peaks but at the same time maintain a good level for the softer bits without compression?
Plus we dive into the mailbag, and things get very silly...
The Pro Audio Suite has kindly been supplied with gear from RØDE microphones. We would like to thank them for their involvement with our show, and their generosity. You can see the complete list of their gear here.
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― Hunter S Thompson