Aug 11, 2026
How do you build a voiceover audition setup when the room is tiny, space is precious, and you really don't want to pull the whole thing apart every time you're finished?
AP's daughter has moved into a share house in Melbourne and needs something permanent enough to give her consistent audition audio without taking over...
Aug 3, 2026
Do voice actors really need in ear monitors?
They offer excellent isolation and can sound fantastic, but they can also feel uncomfortable, create an unnatural sense of pressure, and make it harder to hear your own voice unless your direct monitoring is set up properly.
In this episode, George, Robert, Robbo and AP look...
Jul 28, 2026
What is the cleanest way to connect several microphones, preamps and audio interfaces without constantly crawling behind the rack?
AP starts with what sounds like a simple question about expanding the line-level inputs on his Audient iD44. That sends the team down a glorious rabbit hole involving passive switchers,...
Jul 20, 2026
The Neumann U87 may be one of the most recognisable microphones in the world, but does that make it the right microphone for voiceover and animation?
This week, the team digs into the reputation, sound and real world value of the U87. Andrew is considering one for Somerset’s animation work, which sparks a much bigger...
Jul 13, 2026
This week on The Pro Audio Suite, the crew dives into the weirdly perfect world of AI fixing AI.
Robert shares a corporate video job about AI adoption that was, rather beautifully, rescued by AI audio cleanup. Robbo jumps in with his own tale of a big corporate shoot where the lapel mics were fitted, but somehow the...